11 November 2009

New Year, 2009
(by Gillian Clarke)

A poem by the National Poet of Wales to honour the Inauguration of Barack Obama as the 44th President of the United States of America on 20th January 2009

Venus in the arc of the young moon
is a boat the arms of a bay,
the sky clear to infinity
but for the trailing gossamer
of a transatlantic plane.

The old year and the old era dead,
pushed burning out to sea
bearing the bones of heroes, tyrants,
ideologues, thieves and deceivers
in a smoke of burning money.

The dream is over. Glaciers will melt.
Seas will rise to swallow golden islands.
Somewhere a volcano may whelm a city,
earth shake its skin like an old horse,
a hurricane topple a town to rubble.

Yet tonight, under the cold beauty
of the moon and Venus, something like hope begins,
as if times can turn, the world change course,
as if truth can speak, good men come to power,
and words have meaning again.

Maybe black-hearted boys in love with death
won’t blow themselves and us to smithereens.
Maybe guns will fall silent, the powerful
cease slaughtering the weak, the rich
will not gorge as the poor starve.


Hope spoke the word ‘Yes’, the word ‘we’, the word ’can’,
and a thousand British teenagers at Poetry Live
rose to their feet in a single yell of joy –
black, white, Christian, Muslim, Jew,
faithful and faithless. We are all in this together.
Ie. gallwn ni.2

-----
2Yes, we can in Welsh.

10 November 2009

The discipline of the rhyme

...to think about line breaks in a fresh way, and by working toward end rhymes, we must modify some of the habits we all naturally fall into. The discipline of the rhyme makes us speak in new ways.
[source...]

How so very true!

9 November 2009

High Horses

Way up there, so high and well fed
they seem to be gods
or at least ridden by gods,
the high horses walk—so well bred

little disturbs them. Sedately,
they show off their steps,
canter right, canter left ... perhaps
a brief trot, the perfect lifting of one knee

after another, and then
that exquisite gallop, that arrogance
of the totally convinced,
that disdain.... Then down

off the high horses
come their riders at last,
little men of the past,
clad in bright silken colors.

Dick Allen
Present Vanishing
Sarabande Books

Copyright ©2008 by Dick Allen
All rights reserved.
Reproduced by Poetry Daily with permission.

8 November 2009

For Khotsofalang and Motlatsi

In the eyes of my people are the absent
whose lives the red donga drags
in rivulets toward Bethulie and the coast.
My own eye sweeps the ground
(for existing while the sun is dead).

Music pounds my drums and sex musk fills
the corners of my brains, and prancing
little dancers have come from villages around;
but I never leave my room. Not even after
neighbours have left theirs to ponder life.

I just keep wondering why the world is
walled in words, why when I close my eyes
to pray, hieroglyphs in the dark merge
with what I say, drive meaning home.
With the eyes of a thousand years to which

the head bows in allegiance, I stare at the ground
we'd get together on after sunset, after
following a shadow home, to sit on stumps
for a game of morabaraba, till food called us,
till we fought back the world's loneliness

with sticks and stones of words, and kept
to ourselves mostly, waking up to live
and living up to wait for another day:
the eyes of my people are futured with
plans, like the blueprint to our new house.

6 November 2009

Quote: "Komunyakaa"

Word for word,
we beat the love
out of each other.
~Yusef Komunyakaa

[from Once the Dream Begins...]

3 November 2009

Winter Trees Cough Like Old Men

Winter trees cough like old men
about death's white nightmares
while the rain talks in Latin.
They cough about the sobbing tragic
ash, they bind valises for leaving,
they darken—and in the chill
of frost from the sun, the lungs
bristle to see coffins hidden
in the dry capes of kings.

Eugenio Montejo
translated from the Spanish by Kirk Nesset
The Paris Review
Fall 2008

Copyright © 2008 by The Paris Review Foundation, Inc.
All rights reserved.
Reproduced by Poetry Daily with permission.

27 October 2009

The Banjo Lesson (1893)


26 October 2009

Maseru Man

I'll be your life when spring arrives. And I'll want
to touch your black face again, see your arms hoist
a day's work onto the belt, like a behemoth tossing
things in a harness-free world. Our thoughts will
meet in the middle, melt. And we shall slip off
to Kingsway where men smell of soap and honey,
and mothers sell pyramids of fruit to passersby,
a spring in our heel and love on our mind, now that
centuries have lashed us with their tongue, the moon
a cool, flawless time of sand, street-lamps hanging
like heads in shame at the mention of your name.
I, too, have wondered why the moon, after studying

the world for so long, is not yet tear-shaped. You are
the spark that freed us from the coals of Grootvlei
and gave us the season. Month after month on our way
to work we hear words on people's mouths, we lunch
on a bench where the sun has banned our games, we sip
warm Sparletta, we laugh at worn jokes. As a result
yam under your panga splits like a head, spills us with
a thousand swastikas of broken butterflies. No sleep
can remove this, nor cold from the land of night, nor words
that bane our thoughts. Whether or not anyone reckons we're
of any good, here is our mountain at centre, a commitment,
a hundred myriad I-love-yous in it, still unsaid.

24 October 2009

'Shopping While Black'



URL: http://abcnews.go.com/video/playerIndex?id=7165444

21 October 2009

Happy birthday, Dizzy!


The trumpet pioneer of bop, Dizzy was one of a small group of people who defined an entire generation of music. That style featured his furious playing, alternating between infectiously simple and complex high speed phrases.

He began studying the playing of Roy Eldridge. In 1937 he moved to New York and became a session player. In 1940 he met Charlie Parker in Kansas City. They developed bebop playing in after-hours jam sessions with Kenny Clarke, Thelonious Monk and Max Roach.

His first bebop recording was in 1944 with Coleman Hawkins. A year later he recorded with Parker. Some of his famous compositions include 'Salt Peanuts', 'Woody 'N You' and 'Shaw Nuff'. [source]

Gillespie described be-bop as music with a different accent, " ... on the up beat. Instead of OO-bah, it's oo-BAH. Different chords too." [source]

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it. [source]

John Birks "Dizzy" Gillespie was born on 21 October 1917. Happy birthday to him.

20 October 2009

Philp reading from "Who's Your Daddy?"

19 October 2009

Happy birthday, Peter.



Peter Tosh (October 19, 1944 – September 11, 1987) was the guitarist in the original Wailing Wailers, a pioneer reggae musician, and a trailblazer for the Rastafari movement. Born Winston Hubert McIntosh, Peter grew up in the Kingston, Jamaica slum of Trenchtown.

His short-fuse temper and unveiled sarcasm usually kept him in trouble, earning him the nickname Stepping Razor after a song written by Joe Higgs, an early mentor. He began to sing and learn guitar at a young age, inspired by the American stations he could pick up on his radio.

After an illustrious career with the Wailers and as a solo musician, his life was cut short when he was brutally murdered at his home. Though robbery was officially said to be the motivation behind Tosh's death, many believe that there were ulterior motives to the killing, citing that nothing was taken from the house.
[source]

17 October 2009

Quote: Emile Griffith

"I like men and women both. But I don't like that word: homosexual, gay or faggot. I don't know what I am. I love men and women the same, but if you ask me which is better ... I like women. I keep thinking how strange it is ... I kill a man and most people understand and forgive me. However, I love a man, and to so many people this is an unforgivable sin; this makes me an evil person. So, even though I never went to jail, I have been in prison almost all my life."
~Emile Alphonse Griffith

15 October 2009

Tsamaea Hantle, bra Winston, 1943 - 2009



Mankunku

Dark golden boat
on a sea
far away, rock with me
rock with me:

deep-throated bird
gentle me home
past the mud-lined street
where thoughts stick fast
and children pick rubbish
hungrily

the night flakes notes
from the scalp of my sorrow

hide in my pillow
and cry for me
© Kelwyn Sole 1987

[source of poem...]

[interview with kelwyn sole...]

"Legendary jazz saxophonist Winston Mankunku Ngozi died at Victoria Hospital in Wynberg, Cape Town, the ANC said.

Ngozi, 66, died from a heart-related illness, ANC spokesperson Brian Sokutu said in a statement.

'His death is a huge loss to South Africa, particularly the music fraternity. We join many South Africans in paying tribute to this jazz icon who became a beacon of hope and inspired so many artists.'

He said Ngozi used his talent to inspire social, economic, cultural and political change in the country.

Ngozi's recording in 1968 of the famous Yakhal' Inkomo album , together with Early Mabuza, Agrippa Magwaza and Lionel Pillay, earned him the 'Jazz Musician of the Year' award."
[source...]

13 October 2009

Kozain at Kalk Bay Books



Hugh Hodge’s well-known Off-the-Wall poetry event is moving to Kalk Bay tomorrow night, where Rustum Kozain will feature at Kalk Bay Books. Don’t miss it!

Event Details

* Date: Wednesday, 14 October 2009
* Time: 6:30 PM for 7:00 PM
* Venue: Kalk Bay Books, 124 Main Road, Kalk Bay | Map
* RSVP: books@kalkbaybooks.co.za, 021 788 2266
* www.kalkbaybooks.co.za/author-events-detail.php?id=78

Book Details

* This Carting Life by Rustum Kozain
* Book Homepage
* EAN: 9780795701986

[source...]

12 October 2009

Blaga Dimitrova's "Ars Poetica"

Write each of your poems
as if it were your last.
In this century, saturated with strontium,
charged with terrorism,
flying with supersonic speed,
death comes with terrifying suddenness.
Send each of your words
like a last letter before execution,
a call carved on a prison wall.
You have no right to lie,
no right to play pretty little games.
You simply don’t have the time
to correct your mistakes.
Write each of your poems,
tersely, mercilessly,
with blood — as if it were your last.
(Translated from the Bulgarian by Ludmilla G. Popava-Wightman)
[source...]

11 October 2009

An evening with Shailja Patel

POETRY, PERFORMANCE, RESISTANCE: AN EVENING WITH SHAILJA PATEL, NOVEMBER 7TH, BERLIN

AfricAvenir International is delighted to present a special evening with award-winning Kenyan artist-activist:

SHAILJA PATEL

Poetry, Performance and Resistance

in the Re/Visionen Series

Date: November 7th

Time: 7.30pm

Venue:
Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10, 10557 Berlin

Entry: 8 euros / 6 euros

www.AfricaAvenir.org

www.hkw.de

www.shailja.com

10 October 2009

Stephen Bess reading

9 October 2009

Richard of York gave battle in vain
for Barack Obama

They cut the world into pieces
with the knife of greed, and you,
you who with your skin lives in
every world, you who have put
colour back into the prism
to make us one separate thing
(more ecstatic even than a savannah
at the rainbow's end),
so that there's light, you who knows

folks in mansion and in prison,
and has been to places where men
live under other men, has heard
their message and seen their faces
in books of love: people lamenting
themselves and wanting life, before
these halls of congress, and long
before the world, like babies being

born, cried your presidential
name. You fell amongst us like a meteor,
ndugu, past the gates of hell you fell,
past layers of atmosphere put up to burn
your African name, the name of your
father, land of the sun on the golden
coast, through skies of cotton, into
the city of life: your impact has left

its crater, greater in many ways than
Chicxulub. You've fallen amongst us,
ndugu, like weight on a high-striker.
The slavery gong has sounded,
calling off the master and his dogs,
getting the world going again: may what
we've found here remain now
and forever in the hands of the gods.

Happy birthday, Abdullah Ibrahim

Abdullah Ibrahim
'Since he first fled South Africa in 1962, Ibrahim's increasingly spiritual and meditative jazz has won followers across Europe, the US and Japan and made him an icon at home. In the 50s as Dollar Brand (he took the name Abdullah Ibrahim in the 60s when he converted to Islam), he led Cape Town's short-lived flowering of bebop-inspired jazz. When the apartheid clampdown came, he became one of the most successful, and - with some 100 albums - prolific, musicians in the exodus, alongside the singer Miriam Makeba and the trumpeter Hugh Masekela.

For Rob Allingham, a music historian and archivist at Gallo records in Johannesburg, Ibrahim was unique in "making it in the international jazz world without qualifications". A protege of Duke Ellington, he developed free-form jazz in New York in the 60s, playing with John Coltrane, Ornette Coleman and Don Cherry. Yet his fusion draws on Cape Town roots. Nigel Williamson, a music critic and compiler of a recent Ibrahim retrospective CD, says that "more than anyone else, Ibrahim united African roots with 20th-century American jazz; he's always had a profound sense that jazz is African music". Ellington told him: "You're blessed because you come from the source."'
[source]

If you like jazz, even a little, you must get some Abdullah Ibrahim for yourself. Listening to him, I hear African choral music and American jazz all at once. 2002's African Magic is one of my favourites. Mr Ibrahim was born on 9 October 1934. Happy birthday to him.

4 October 2009

Happy 75th, Amiri Baraka!



It's a shame that most freedom fighters are usually recognized after they're gone. We have the opportunity to celebrate a man who has stood up for justice and equality then and now!!!!!!

Amiri Baraka’s 75th Birthday Celebrations

Greetings All!

Please join us for a series of events planned in recognition of poet, author, playwright and community activist.
[continue there...]

1 October 2009

Talking about "Facing It"

I first read this poem by Yusef K. before high school and again on either the ACT or SAT. Since it was on a standardized test it must then be considered graspable enough for 17-year-olds.

And it is definitely approachable. It begins almost prose-like. It's clear who is talking (a Vietnam veteran) and where he is (the Vietnam War Memorial) and how he is feeling (lost in a rush of memories and fighting against those feelings).

When I first read this poem I remember thinking that the last line fell flat.
[continue there...]

28 September 2009

untitled

© Not mine!

27 September 2009

No Sex For Priests

The horse in harness suffers.
He's not feeling up to snuff.

The feeler's sensate but the cook
pronounces lobsters tough.

The chain's too short: the dog's at pains
to reach a sheaf of shade. One half a squirrel's

whirling there, upon the Interstate. That ruff
around the monkey's eye is cancer. Only God's

impervious he's deaf and blind. Be he's
not dumb: the answer for it all, his spokesmen

aren't allowed to come.
© Heather McHugh
[source...]

Morungwa (Jonas Gwangwa)